For centuries, the Congo has compelled and defied the Western imagination. Richard Mosse brings to this subject the use of a discontinued military surveillance technology, a type of color infrared film called Kodak Aerochrome. Originally developed for camouflage detection, this aerial reconnaissance film registers an invisible spectrum of infrared light, rendering the green landscape in vivid hues of lavender, crimson, and hot pink.
Infrared film also found civilian uses among cartographers, agronomists, hydrologists, and archaeologists, to reveal subtle changes in the landscape. In the late 1960s, the medium was appropriated in the cover art of albums by rock musicians like Jimi Hendrix or the Grateful Dead, trickling into the popular imagination as the palette of psychedelic (from the Greek for “soul-manifesting”) experience, eventually accumulating a kitsch aesthetic.